The Sino-Japanese War of 1937–45 was perhaps the single most destructive event in twentieth-century Chinese history. However, there has been relatively little attention paid to how war was experienced in the Nationalist-controlled area (‘Free China’) under Chiang Kaishek. Two autobiographical texts are examined here, one a sequence of reportage from the early war years by the journalist Du Zhongyuan, and one a biji (notebook) written immediately after the war's end by the social scientist Xu Wancheng. By choosing particular modern or anti-modern genres and styles to write in, the authors expressed a wider sentiment about the war's ambiguous role in modernising China. Du's work hopes to create modernity from destruction; Xu's suggests that modern warfare has created chaos.
